Ph.D. Stanford University
My research seeks to complicate the story of American modernism by showcasing that the roots of the twentieth-century art world are mired in the complexities of lived experience and visual culture. I do so by examining the roles played by religion, race, region, and consumption in art’s production, display, and reception. I show that religious belief and practices helped formed our conception of modern aesthetic experience; that artists of the African diaspora turned to religious expressions of all kinds to create a self-consciously Modern art and identity; that myriad modernisms developed in different regions of the country in response to local cultures, politics, and traditions; and that department stores, as much as museums and world’s fairs, were central to educating audiences and providing space for modern art’s appreciation, display, and dissemination.
1120: Renaissance to Modern Art
2830: Introduction to American Art and Architecture (Writing Intensive)
2850: Introduction to Visual Culture (Writing Intensive)
3830: American Art and Culture, 1500-1820
3840: American Art and Culture, 1820-1913
3850: American Art and Culture, 1913-Present
4005 / 7005: Topics in Art History and Archaeology (Topics: American Art and Culture Around 1900; American Photography)
4820 / 7820: American Material Culture (Topics: Visual Culture of American Religions; Vernacular Cultures; Mid-Century Modernism and the “Missouri-Heart of the Nation” Collection; 20th Century American Photography: The Glen Serbin Collection of Photographs at the University of Missouri
7130: Museum Studies
8110: Introduction to Graduate Study
8120: Theories and Methodologies in Art History and Archaeology
8800: Seminar in American Art (Topics: Material Culture of Religion; Visual Culture; African American Art; American Modernisms)
Humanities 2114: The Modern Era
- Signs of Grace: Religion and American Art in the Gilded Age, Cornell University Press, 2008.
- “Creating History, Establishing a Canon: Jacob Lawrence's The First Book of Moses, Called Genesis” in Behold! Representations of Christ and Christianity in African-American Art, eds. James Romaine and Phoebe Wolfskill, forthcoming.
- “Consuming Christ: Henry Ossawa Tanner’s Biblical Paintings and Nineteenth-Century American Commerce” in ReVisioning: Critical Methods of Seeing Christianity in the History of Art, eds. James Romaine and Linda Stratford (Eugene, Oregon: Cascade Books, a division of Wipf and Stock Publishers, 2013), pages 277-293.
- “Abbott Handerson Thayer, An Angel (1893)” in Layton’s Legacy: A Historic American Art Collection, 1888-2013 (Madison: University of Wisconsin Press, 2013).
- Ediciones Vigía’s Barquitos del San Juan: La Revista de los Niños (Año 13, no. 23, 2007), Object Narrative, Initiative for the Study of Material and Visual Cultures of Religion at Yale University, 2013. http://mavcor.yale.edu/conversations/object-narratives/barquitos-del-san-juan-la-revista-de-los-ni-os-year-13-no-23-2007.
- “The Scorpio Trail: A Racial Storyscape of Columbia, Missouri” for Robert Ladislas Derr’s multi-media exhibition, Discovering Columbus (2012). Located at: http://home1.arts.ohio-state.edu/derr34//discoveringcolumbusessays.html
- "Visual Culture and American Religions,” Religion Compass (Special Issue on The Sensorium of American Religions, eds. Jason Bivins and Sean McCloud) Volume 4 Issue 3 (May 2010): 190-201.
- “Visual Culture: Painting, Sculpture, and Graphic Arts from the Civil War to World War II,” in Encyclopedia of Religion in America, eds. Charles H. Libby and Peter W. Williams (C.Q. Press, 2010), 2278-2286.
- “Carl Gutherz’s Esoteric Art” in Carl Gutherz: Poetic Vision and Academic Ideals, ed. Marilyn Masler and Marina Pancini (Memphis: Memphis Brooks Museum of Art, 2009).
- “Anointing Modernism,” Re-Enchantment (The Art Seminar), eds. James Elkins and David Morgan (New York: Routledge, 2009): 273-5.
- “F. Holland Day’s The Seven Last Words of Christ and the Religious Roots of American Modernism,” American Art 19, no. 1 (Spring 2005): 32-59.
- Guest Curator, Mendive, Chaco, and the Havana Renaissance, Museum of Art and Archaeology, anticipated Fall 2016
- Guest Curator, Sites of Experience: Keith Crown and the New Mexican Landscape, Museum of Art and Archaeology, University of Missouri-Columbia, Winter 2013
- Guest Curator, Exploration, Interpretation, and the Works of George Caleb Bingham, Museum of Art and Archaeology, University of Missouri-Columbia, June 9-August 19, 2007